If the troops in Afghanistan were given the proper resources to actually hunt down the terrorists we are there to get, the war in Iraq would be even less popular. Our song this week is about how the last vestiges of support for the Iraq war are dependent on stalls in the forgotten "good" war. Enjoy.
Click the player below to hear the song

Welcome to Max and the Marginalized's page/blog, etc. We are a political band in Los Angeles. We write and record a new song every week (as of this writing we've been doing this for 32 weeks straight), always about something that week which we find worthy of our protestations. All the songs are available for download right here.
The idea is simple, really. How can bands claiming to want to make a difference write a song about, say, ending the war and then hold on to it to make a perfectly polished recording of it for their album which will come out in a year, secretly and shamefully hoping the war lasts until then so their song, marketed properly, will still be relevant?
We don't have any interest in that. We write songs about things that are happening now, record them, and release them with the hopes that they can be a small part of a big conversation that leads to real progress.
All of our songs appear on The Huffington Post with little blogs accompanying them explaining what they are about. Those can be found right here. We are also on MySpace like every other band in the universe, but are trying to move the operation to the non-Murdoch world at our Facebook Page.
Lineup: Max Bernstein - guitar + vocals. Dave Watrous - Bass. Jon Ryggy - Drums. Our friend Max Waker is a recording engineer and makes cartoons.
Thursday, February 28, 2008
Tuesday, February 26, 2008
Bill and Hillary, Kurt and Courtney
I like Hillary Clinton more than most of my peers and if I thought she had a snowball's chance in hell of beating John McCain I might've voted for her a few Tuesdays back, and I'm grateful that I'm enough of a sucker to let polling data keep me from having to make a difficult decision.
Despite my not voting for her, I spend about forty-five minutes a day on the phone with someone defending her, and a couple weeks ago I realized that I have been having this very same conversation for years, but only recently about Hillary. I've been making the same reluctant argument in favor of Courtney Love since I was about 15, and the opposition has been saying the same thing back, and with good reason - they're kind of the same person.
Hillary and Courtney are both:
-Blamed (inaccurately) for their husband's worst behavior - Hillary for Bill's failed initiatives in his presidency and his infidelity, Courtney for Kurt's drug problem, rift with Dave Grohl, and suicide.
-Two of the most talented people in their field, and probably not quite as talented as their husbands.
-Dogged by allegations that they would be nowhere without their husband's success, which is total nonsense on both counts.
-Robbed of credit for their own strengths/accomplishments - people who say "it'll be fine since Bill will be back in the White House" and "Kurt probably was writing those songs anyway" are saying the same thing about the shadow male player.
-The most controversial woman in politics and the most controversial woman in rock and roll, despite having not created anything particularly controversial. Hole's three albums are absolutely fantastic, but in the age of the riot grrl movement of the 1990s were no more controversial than a universal health care plan similar to ones that plenty of nations had already.
-Hated by many on an irrational and emotional level. There is no cow more sacred to the Democratic party than Bill Clinton's presidency, and no cow more sacred (post-Beatles) in rock and roll than Nirvana, and all of their talents are lost compared to whatever role people imagine them to have played in their husbands' downfalls.
-They both have only-daughters with slightly left of center, but not incredibly silly names that happen to be the names of famous hotels.
Once their husbands' most powerful days were behind them (Kurt shot himself in the head, Bill's second term ended with him shooting himself in the foot over and over again between Monica, the Marc Rich pardon, on and on and on), Hillary and Courtney have continued to hold hands on their own rollercoasters. They surprised surprised their detractors with a strong senate term and 1998's Celebrity Skin, both effective works that will be remembered as great, if close-to-the-vest points in their career that did a lot to prove their talents - if they are not overshadowed by their follow-ups.
Love's next album, her first without Hole titled America's Sweetheart was an overproduced disaster of an album unparalleled by nothing in history, until a month ago when Hillary's campaign caught up with it, and unless the album that Courtney has been working on since then comes out in the next two weeks is the next Sgt. Pepper, I'm inclined to believe that Hillary has a tough road ahead of her.
Having come of age in the 1990s, I possess a jerky nostalgia for the days of grunge and the dot-com boom, and hope that the women of the two most important couples of the decade are not frozen in history in their current frames: Hillary at the tail end of a mess of a campaign and Courtney in a mess of a drug problem and a crappy album. Behind the recent missteps and the remarkably similar emotional hatred that the two of them are party to are good and respectable records that stand up on their own and are worth looking at and listening to. Hillary '08 and that gig where Love got dragged off the stage opening for Jane's Addiction are tough rebounds to make - we'll see.
Despite my not voting for her, I spend about forty-five minutes a day on the phone with someone defending her, and a couple weeks ago I realized that I have been having this very same conversation for years, but only recently about Hillary. I've been making the same reluctant argument in favor of Courtney Love since I was about 15, and the opposition has been saying the same thing back, and with good reason - they're kind of the same person.
Hillary and Courtney are both:
-Blamed (inaccurately) for their husband's worst behavior - Hillary for Bill's failed initiatives in his presidency and his infidelity, Courtney for Kurt's drug problem, rift with Dave Grohl, and suicide.
-Two of the most talented people in their field, and probably not quite as talented as their husbands.
-Dogged by allegations that they would be nowhere without their husband's success, which is total nonsense on both counts.
-Robbed of credit for their own strengths/accomplishments - people who say "it'll be fine since Bill will be back in the White House" and "Kurt probably was writing those songs anyway" are saying the same thing about the shadow male player.
-The most controversial woman in politics and the most controversial woman in rock and roll, despite having not created anything particularly controversial. Hole's three albums are absolutely fantastic, but in the age of the riot grrl movement of the 1990s were no more controversial than a universal health care plan similar to ones that plenty of nations had already.
-Hated by many on an irrational and emotional level. There is no cow more sacred to the Democratic party than Bill Clinton's presidency, and no cow more sacred (post-Beatles) in rock and roll than Nirvana, and all of their talents are lost compared to whatever role people imagine them to have played in their husbands' downfalls.
-They both have only-daughters with slightly left of center, but not incredibly silly names that happen to be the names of famous hotels.
Once their husbands' most powerful days were behind them (Kurt shot himself in the head, Bill's second term ended with him shooting himself in the foot over and over again between Monica, the Marc Rich pardon, on and on and on), Hillary and Courtney have continued to hold hands on their own rollercoasters. They surprised surprised their detractors with a strong senate term and 1998's Celebrity Skin, both effective works that will be remembered as great, if close-to-the-vest points in their career that did a lot to prove their talents - if they are not overshadowed by their follow-ups.
Love's next album, her first without Hole titled America's Sweetheart was an overproduced disaster of an album unparalleled by nothing in history, until a month ago when Hillary's campaign caught up with it, and unless the album that Courtney has been working on since then comes out in the next two weeks is the next Sgt. Pepper, I'm inclined to believe that Hillary has a tough road ahead of her.
Having come of age in the 1990s, I possess a jerky nostalgia for the days of grunge and the dot-com boom, and hope that the women of the two most important couples of the decade are not frozen in history in their current frames: Hillary at the tail end of a mess of a campaign and Courtney in a mess of a drug problem and a crappy album. Behind the recent missteps and the remarkably similar emotional hatred that the two of them are party to are good and respectable records that stand up on their own and are worth looking at and listening to. Hillary '08 and that gig where Love got dragged off the stage opening for Jane's Addiction are tough rebounds to make - we'll see.
Friday, February 22, 2008
Download and Donate
Download and Donate:
Brand new! Get the Marginography! All 20 songs and lyric sheet pdf in one big zip file. Suggested donation of $10 but if you want to just take it, then take it. CLICK HERE TO DOWNLOAD "MARGINOGRAPHY".
All the songs are available individually for download! I am offering these for quasi-sale on The Honor System. Here's how it works (my thanks to Juliana Hatfield, NOT Radiohead, for this idea):
You can download, share, whatever you like. I have a little paypal donate button and ask that if you can, please contribute so I can keep doing these songs - I don't have a studio setup so I spend $200/week at an inexpensive studio to do these so every little bit helps! If you can't afford to pay anything, don't worry about it - I just want people to be able to have the songs. If you have more cash than you know what to do with and have gotten a lot out of these songs then please help out. iTunes charges 99 cents a song, I think that 50 cents a download is a good and fair suggestion.
Brand new! Get the Marginography! All 20 songs and lyric sheet pdf in one big zip file. Suggested donation of $10 but if you want to just take it, then take it. CLICK HERE TO DOWNLOAD "MARGINOGRAPHY".
All the songs are available individually for download! I am offering these for quasi-sale on The Honor System. Here's how it works (my thanks to Juliana Hatfield, NOT Radiohead, for this idea):
You can download, share, whatever you like. I have a little paypal donate button and ask that if you can, please contribute so I can keep doing these songs - I don't have a studio setup so I spend $200/week at an inexpensive studio to do these so every little bit helps! If you can't afford to pay anything, don't worry about it - I just want people to be able to have the songs. If you have more cash than you know what to do with and have gotten a lot out of these songs then please help out. iTunes charges 99 cents a song, I think that 50 cents a download is a good and fair suggestion.
Tuesday, February 19, 2008
Saturday, February 16, 2008
Museum of Mistakes
I will expand on this blog tomorrow most likely but I want to write something since the song is up. This is a song about how as more evidence gets out about how many prisoners at Guantanamo were just turned in by tribal mercenaries capitalizing on the U.S. tax dollars being thrown at them to turn in people we could say were the "worst of the worst", the pressure to close Guantanamo will mount and it will one day become a museum where we all stare and whisper about how we did such a thing.
Also, just want to say that this is my favorite Max and the Marginalized song yet and features great performances by Jon and Dave. Give it up for them =)
-Max
Also, just want to say that this is my favorite Max and the Marginalized song yet and features great performances by Jon and Dave. Give it up for them =)
-Max
All the songs we've done so far
So I just started doing the blog over here as opposed to just on MySpace because I'm trying to gradually move this band out of Murdochland, and I'm also aware that people who aren't teenagers aren't that into MySpace. Thus, I'm putting all of our songs here as well. This player has all the songs that were from before this week. This band was born 20 weeks ago and we've made a song a week since then (one of them is just a Youtube song response to the State of the Union - the rest are all full band.)
We've tried to capture something that was happening that week or at least around that time in each song - for all the lyrics and explanations behind each song click here for the big PDF.
Here are the songs (for "The Flute of False Choices", see the blog below.) All new songs will have their own posts. There are 17 songs in this player, if you put the mouse over it others magically appear.
Powered by Podbean.com
Enjoy!
There are download links at www.myspace.com/maxandthemarginalized.
We've tried to capture something that was happening that week or at least around that time in each song - for all the lyrics and explanations behind each song click here for the big PDF.
Here are the songs (for "The Flute of False Choices", see the blog below.) All new songs will have their own posts. There are 17 songs in this player, if you put the mouse over it others magically appear.
Powered by Podbean.com
Enjoy!
There are download links at www.myspace.com/maxandthemarginalized.
Tuesday, February 12, 2008
The Justice Project
I'm going to be doing some MySpace/Facebook ops for The Justice Project starting this week. They are a fine organization that does things like address the problem of wrongful conviction of people on and off death row, make sure veterans receive the care they deserve when they get home, and to ensure fairness and accuracy in our criminal justice system. Please have a look at their page and support them.
Working on a song about Gitmo...
Today we started "Museum of Mistakes". This will be the best Max and the Marginalized song, I guarantee it.
Monday, February 11, 2008
The Flute of False Choices: A Song for the Democratic Primaries
Cross-posted at Huffington Post
This is a song I wrote about how after inking my ballot for Obama on Tuesday, I wasn't filled with a Lisa Simpson-esque sense of civic pride, but a Lisa Simpson-esque sense of annoyed cynicism, for he really is the less progressive candidate of the two, and if you don't realize that you haven't looked at the health care plans. I held my nose and voted for him because I think that he can beat McCain, and if not for that I wouldn't have, and it's too bad that a vague and empty movement around change, something that both candidates will bring plenty of, has trumped his less progressive policies.
My friend Elijah, a 43-year old professional banjo player who is covered in tattoos and was raised by two lesbain doctors, puts it best (he's a Clinton supporter): "I'm a professional banjo player who was raised by two lesbain doctors. I'm not part of the status quo, I'm just not. And when he says in New Hampshire that the status quo doesn't back down easily and lumps me in with that, it's ridiculous and condescending." He's totally right.
Equally repellent is the Clintons' attempt to characterize those who believe in what the power of a newer face can do domestically and internationally as some kind of fairy tale and if only we knew better.
Thank heavens Edwards forced all their hands on real policy positions or else we'd be voting on symbolism alone. Enjoy the song.
This is a song I wrote about how after inking my ballot for Obama on Tuesday, I wasn't filled with a Lisa Simpson-esque sense of civic pride, but a Lisa Simpson-esque sense of annoyed cynicism, for he really is the less progressive candidate of the two, and if you don't realize that you haven't looked at the health care plans. I held my nose and voted for him because I think that he can beat McCain, and if not for that I wouldn't have, and it's too bad that a vague and empty movement around change, something that both candidates will bring plenty of, has trumped his less progressive policies.
My friend Elijah, a 43-year old professional banjo player who is covered in tattoos and was raised by two lesbain doctors, puts it best (he's a Clinton supporter): "I'm a professional banjo player who was raised by two lesbain doctors. I'm not part of the status quo, I'm just not. And when he says in New Hampshire that the status quo doesn't back down easily and lumps me in with that, it's ridiculous and condescending." He's totally right.
Equally repellent is the Clintons' attempt to characterize those who believe in what the power of a newer face can do domestically and internationally as some kind of fairy tale and if only we knew better.
Thank heavens Edwards forced all their hands on real policy positions or else we'd be voting on symbolism alone. Enjoy the song.
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